L’io nello sguardo dell’altra. L’arte del monologo di Claudio Magris

The current essay aims to highlighting a few aspects of the fine ‘art monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), particular, on most compelling play, Lei dunque capirà (2006). On one hand, play highlights masterly use stylistic/dialogic capacity monologue stage and, other, it offers an unprecedented extraordinary (parodic) re-actualization myth Orpheus.